Considering that Dickens’ 200th birthday is in 2012, I figure now is a good time to post some reviews of his book-to-screen movie adaptations from BBC. As someone who thinks Charles Dickens is a great storyteller and a girl who loves all things that might be related to costume dramas, seeing this displaced movie seemed like a good idea. After much research and reading of reviews, Martin Chuzzlewit is one of my discoveries. While this story is less-intelligent than some of Dickens’ other works, it is still a complex enjoyable story that leaves you guessing until the end.
Martin Chuzzlewit (1994) BBC TV Miniseries Review
Martin Chuzzlewit (Paul Scofield) is a wealthy man with an old well-known family name. Right now, he is travelling with his companion and nurse Mary Graham (Pauline Turner). Since Mr. Chuzzlewit isn’t in the best health he has decided to get
his will in order, leaving his fortune to his beloved grandson and namesake Martin (Ben Waden). After learning that Martin has fallen in love with Mary, Mr. Chuzzlewit disinherits him and forbids a match between the two. In families, news travels fast and when Mr. Chuzzlewit’s dozens of relatives learn that his sole heir is disinherited they become greedy with the prospect of taking the spot. The scheming hypocritical Seth Pecksniff (Tom Willkinson) is the most determined relative to be in the will. With the assistance of his two daughters – the self-centered Mercy (Julia Sawalha) and dull-witted Charity (Emma Chambers), Pecksniff devices a plan to “protect” Mr. Chuzzlewit from his evil grandson.
Once young Martin comes to terms that his grandfather won’t change his mind, he decides to leave for America to make his fortune. With him travels an acquaintance, Mark Tapley (Steve Nicolson). Without means to marry the kind Mary, Martin makes plans to send for her once he makes his fortune and is established. Fearing that his grandfather might discover his correspondence with Mary, he sends his letters in care of his friend Tom Pinch (Phillip Franks). Also playing a crucial role in the Chuzzlewit family search for a fortune is Jonas Chuzzlewit (Keith Allen). As nephew to old Mr. Chuzzlewit, Jonas is already party to his own fortune being the sole heir and only son of Anthony Chuzzlewit (also played by Paul Schofield), Martin’s brother. Still a greedy, obnoxious man, he will stop at nothing to gain what he wants.
Period films from the BBC that predate the middle 90’s are… well, dated. They are not usually up to standards with what comes from the Brits nowadays. Somehow though, this particular BBC Classic rises above the barrier just enough that it is still an entertaining piece of film work. Producers and casting agents assembled a grand lot of talent for this despite its lesser known status. Paul Scofield was just marvelous; his performance leaves you guessing the entire time if he really is just a generous man who wants to do right by his grandson or if he’s one of the villains. Then we come to Julia Sawalha’s performance. Who doesn’t recognize that name? As Mercy, she plays a much better, more suited role than she did in Pride and Prejudice (Lydia). She gives a more mature emotional performance that serves the actress well. At the beginning of the story she’s a foolish, silly girl who thinks she has the world at her feet, by the end, because of unfortunate circumstances, she learns how cruel the world can be.
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One of my favorite secondary characters is Mark Tapley; a cheerful man who determines not to let the world get him down. Mark’s common sense and peaceful manner saves Martin one too many times from foolishness. True to form from Dickens’ there is an array of secondary characters. Some of whom are at the forefront, others lurk in the shadows requiring us to think about their motives, which is something all the actors do a stellar job keeping you in suspense of. But as usual, Dickens’ ties everything together in the end so that no or little doubt lingers in our mind.
This is the one book-to-screen adaption that is “different” from Dickens’ other works; it just isn’t as thought-provoking (the message is one of recognizing selfishness in oneself) but rather comical at times. While I think this is still a worthwhile production, it’s not my favorite. Especially after seeing 2006’s Bleak House and Our Mutual Friend. Both of which are superior adaptations (they have the benefit of better filmmaking technology and some great talent, too).
Even still, I found Martin Chuzzlewit not as easy of a story to be pulled into. Sure, there’s still murder and mystery, but the first half is a little more of a comedy than the standard by which we normally see Dickens (definitely a “lighter” approach here). The other minor complaint I have is the make-up job on some of the characters. It wasn’t nearly as well done as most of the other BBC productions. (In particular the make-up on Philip Franks: it was terribly obvious what they were trying to hide. Maybe it was intentional, maybe not, but whatever, it was just… hideous.) Normally this author’s works offer so many characters and weaving subplots, we do not know where to fixate the focus; an aspect that can be overwhelming at times, but is a characteristic that is uniquely Charles Dickens.
If you haven’t seen any of this author’s works before, prepare to want to watch this a second time before you really comprehend everything. But, a Dickens’ masterpiece is well worth it.
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Content merits a PG rating. Minor implications of spousal abuse are present. There’s a murder, and much talk about poisoning a person. I’m not sure if this would hold the interest of kids, but this isn’t a bad introduction to Dickens.